down in scenic auckland, new zealand, tucked in a small basement studio, musician leonard charles & his friends paid tribute to dilla s landmark release by re-recording the entire 31-track album on live instruments. charles gives the tracks a modern funk reinterpretation on live bass, drums, clavinet, rhodes & synths - sans any sampling of the original source or sourced material. featuring vocals by anji toy, adi dick, ruby walsh and georgia anne muldrow on the emotional tribute airworks (forever).

for the debut always human tapes vinyl release, heckadecimal delivers a dark, hardware-driven landscape of electronic pleasure. derived from countless studio sessions, heckadecimal’s quasi-improvisatory music is a distillation of electro, o.g. idm, and a healthy experience soundtracking midwestern warehouse raves. the result is a versatile and cohesive cross-section of hard-working beats, sure to find a home in any adventurous dj’s record bag.

deleted - pressed on frosted clear with black blob and frosted clear with red blob vinyl, housed in a thick 425g heavyweight sleeve, and a printed insert is included which features additional artwork and credits.
volume 2 continues to wander through the 80 s world of stranger things, floating between the sweeter moments which temporarily blossom amidst the danger and decay as the series comes to an end.

crystal structures returns with its fourth instalment, in the guise of a two track ep, composed by the multifaceted chas burns, more commonly known as flow . label honcho of two distinguished imprints of his own, low pressings and beat code , flow s extensive back catalogue of eminent records are assumed collectables for the most ardent crate diggers. regularly championed by vinyl purveyors including ricardo villalobos, arpiar and praslea, flow s elegant style has been akin to the trademark early 2000 s uk sound of the likes of eddie richards, terry francis and nathan coles. his sawwhore ep on crystal structures embodies that very same rolling tech-house through techno eloquence, and will undoubtedly become accustomed to any record bag which it gracefully finds its way into.

pure interstellar techno tracks from the most remote west coast of europe by the talented john daly. killer release on his new label which he started after closing the one track series. first release sold out straight away and this one isnt of any lesser quality! pure techno of the finest quality. million dollar what??. tip!

phat sotofett dbl header !! any questions ??

gangster paradise is totally unlike what coolio once uttered. the latest ep from roush features four slamming tracks from dj w!ld that will get any dance floor to move side to side. this vinyl will appease every true underground house head. dj w!ld hails from dijon, france and has grown from hero of the parisian underground to resident at some of the world s most acclaimed clubs, including circoloco at dc10 in ibiza. he adds to his already expansive discography with this banger ep.

we fade to grey / move any montain cover versions... fade to grey goes in a superb creative way to use vocodaz and finish with a bloody acid flyingaway trance feeling... b side goes techno, agressive and hard, dancefloor and powerfull screwdriver force !

billing themselves as crew of beat junkies raised in the legendary sugar shack studio,difusion make their first appearance on their own label in style with some righteous edits that make some decisive cuts where it counts for pure dancefloor dynamite. losing me is more of a rolling breakbeat inflected house workout with a deadly delay treatment on the vocals that drops in at just the right time to surely set a club off at any hour. get up is a more sultry cut but it still hits heavy, and be truthful and change it both offer up differing soulful angles to make this a highly versatile record for all kinds of situations.

with jealous god, eerie and l.i.e.s on his c.v. they don t come much more approved that domenico crisci, but few would be prepared for the onslaught that leaps out of this first release on summa cum laude. the violinist champions distortion as a weapon, running everything through a fuzz pedal in a most unrelenting of fashions. its certainly not for the feint-hearted, and all the more powerful with it. meanwhile return would sound brutal in any other context were it not for what came before, all slamming, grubby drums and the noises that splay off them. blacklord them manages to push the vibe further back into the red with a searing throwdown to finish the ep off in a masterful display of intensity.

its the music of the space that extends between oceans and mountain slopes. its the music of the space that is much bigger and much more adventurous than the four walls of a club look like. its the latest record on acker, and it orbits around a song from il civetto. the band from berlin is a wonderfully multicultural bunch. their sound is reminiscent of gypsy, folk or swing, but at the same time it doesnt really fit any of these labels. liberté ana is a perfect example. monolink turns this track into a groovy downbeat tune that vibrates much higher than its low bpm count - the perfect soundtrack for laid-back afternoons or afterhours. pophop does what he does best: party. however, between the catchy bassline and the tight percussions of his remix theres still a lot of space for the soul of liberté ana. umami goes even further and creates an ecstatic banger that has everything it takes to be played during the prime time on the dance floor.

our second vinyl release features four tracks from our own icelandic moff & tarkin. big mango bangers gives us a good taste of the fresh style that the vienna based producer has to offer. the a side has two great danceable house tracks,naked and i got this that should rock any good dancefloor with some superb sample action. the b side really ties up the record and features mutual distraction a house track with an 80s vibe and skutla a synthony which could really break up and reset the mood as a dj tool. each tracks has a place and the record is a great example of the diversity we try to encourage. supported by: shur-i-kan, harry wolfman, jacques renault, moony me, loz goddard, nachtbraker, dj caspa, craig smith, simba, l atelier, borg ltd etc.

nice price deal !!! it s been a big shock for all of us to hear the sad news that our good friend andreas gehm passed away this year. his last big project is the -worldwide electronics- - series on his own label -cologne underground- which brings his friends from all over the world together. the idea of „worldwide electronics“ is to combine music from all over the world on one album (in fact, there will be a vol.2 too). the second idea was to combine well known artist with newcomer. when gehm, who runs cologne underground together with dbh distribution, ask the artist for tracks, he don’t ask for any specific style. the artist were free to deliver whatever they want. so at the end it ended up from deep house (oldschool definition, not edm definition) to acid. „worldwide electronics vol.1“ contains one track from greece (dimdj), germany (hardfloor), netherlands (baz reznik), england (perseus traxx), columbia(s.valencia) 2 tracks from japan (takeshi kouzuki and jin-cromanyon) and the first of hopefully a row of collaboration tracks from legowelt (netherlands) and elec pt.1 (germany) as „gehm & wolfers).

african scream contest’ is the third release by the analog africa label. the project initially took off in august 2005 when label owner and vinyl collector samy ben redjeb arrived in cotonou, benin, “without any special expectations, just hoping to lay my hands on few good records - what i found in the process cannot really be described in words-. this first trip was followed by eight more to the region. thirty months and few thousand records later analog africa proudly presents this 14-track compilation. redjeb conducted 16 interviews in various cities in benin and togo with artists, producers and sound engineers to reconstruct the history of the 70s music scene for the 44 pages booklet which also features many rare photographs directly received from the artists. delve into the forgotten raw and psychedelic afro sounds from 70s benin and togo and experience the african scream contest. very, very limited copies in, and this might notcome in anymore.... tip!

Æ is the third part of bjarki triptych of lps to be released this year. Æ is a particularly icelandic form, pronounced “i” in english, bjarki thinks it just looks good. here it is a selection of music that is at its core quite simple, with restrained instrumentation, made on hardware and features a selection of older works and the most recent produced just weeks ago. bjarki is from iceland. born and raised. despite the fact that bjarki is known for making extremely powerful dance floor tracks he doesn’t seem to belong to any particular genre. something this triptych of lps demonstrates very well. his music is at times cinematic and there’s a story behind each track. bjarki’s music always has something to do with him personally, but he’d rather the listener lose themselves in the music than pay much attention to the man behind them. either on a record or to one of his ever evolving live sets.

units and measurements is the collaborative project of christopher hreno, mathew jonson and colin de la plante. the project sees these long times friends and veteran producers exploring the limits of hardware based improvisation and deep synthesis and effects programing . documenting a single epic 24 hour session at jonson s mothership studio in berlin, this first release sees the trio exploring some of the headiest ambient and tunneling hypnotic techno to be found in any of their admittedly vast individual back catalogs. this release is without question a portrait of 3 masters of their craft at work, and quite unlike anything else you are likely to hear this year. units and measurements will be available in a double vinyl and digital formats on november 4th via blkrtz, with worldwide distribution via kompakt.

there’s a new (or old?) family of funk in town and their history is kind of a mystery. rumor has it the le’trells came close, but never were able to secure a record deal in their time. curious and unable to locate any master tapes, it took a younger generation of le trell boys to breath life back into the grooves and deliver an modern update to that which never was. on the one is sure to be a modern funk anthem certified floor filler already making the rounds in chicago, nyc, detroit and la with a moody sax filled b side that hits just as hard in the club as it does in the whip! heres to hoping the le trell boys prayers are finally answered!

rnt is going back to the roots of their reserve series with rose cutz 2, a pack of burners and heaters from rose records honchos luvless and m.ono. each producer takes a side, delivering a little something for any time of night, from the up tempo stomp of eins a legge to the slow analogue pulse of file save as. a rose by any other name is still a banging record!

welcome to fourth vinyl release on kickmasomaass records. this record called psychical disorder ep is a great four-tracker for all hardgroove techno fans. it contains one original mix and three winner remixes from psychical disorder remix contest. andy bsk has this time created one great psychedelic hardgroove track with great bassline and heavy kicks. the percussions with the psychedelic melody synths runs into delirium in every hardgroove head. the second remix is from lorenz b who is living in italy. his hardgroove techno remix with hardtrance elements is simply perfect. great bass, great kicks, great percussions. definitely one great track for every club and party. third track is coming to us from spain from two guys called jcortes and eloy palma. their remix is heavy and dark. brutal kicks with dark percussions will destroy every club. the last and fourth remix is from slovakian music producer buchtotronic. nice fast hardgroove track with oldskool hardcore and tekno elements will destroy every tekno party. definitely one of best remixes in psychical disorder remix contest. we made it one more time and bringing you a great record. so don t wait any longer and support our label with purchase of your own piece. enjoy!

the first release from naissance musik (nm) is a 12” vinyl from the super-group dream scoring (hear and hakim murphy) entitled images of a myth. it is comprised of 4 tracks. a myth is a legendary story that a community validates to explain part of its reality. however any member or group within the community can have his or her own version of the myth, and the myth can also evolve through time. we may all listen to the same track but this track still calls up intimate images for each and every one of us. a myth is full of adventure and mystery, it is epic and full of emotions. it can be anything from the lost ark to greek gods fighting. the aim is to fill our bodies and minds with emotions. the main idea is to tell stories like books or movies, but through musical notes & rhythm. the music makers provide the musical image, the listeners create the myth. and vice-versa.

u know me records in collaboration with polish juke proudly presents the very first polish footwork vinyl record rhythm baboons the lizard king ep. rb: the lizard king is an outcome of my fascination with chicago footwork/juke. most of the tracks were created during a couple of spontaneous home studio sessions earlier this year. it was a raw play with the sounds and sampling with no particular plan that made the material more fun and dance-friendly than any of my previous records. the record features five original tracks and one remix by the legendary dj fulltono (japan). mastered by miko&#322,,aj bugajak, album artwork created by stach szumski.

are there any aliens out there? (probably!) what would they think of the human race? do the people in power really care about us? what would they think of mass corruption from corporate companies and governments?..... but hold on a minute, are we decent to our own partners, families, neighbours, people in need of the essentials and those we work with? do the police, authorities, prisons, care homes and detention centres look after the vulnerable in the correct way? yo aliens!!!!!! you are probably more advanced than us as a race so you ve probably worked out ways of stopping inequalty, slavery, famine, war and other general shite. if so, get your self down here right now and show us the way!!!!!!

this monster 1976 lp from nassau s munnings brothers aka beginning of the end is a stone cold classic. fact. well deserving of a place in any record collection! this, their second lp (with 1971s infamous funky nassau preceding it) features the brothers original, fresh sound a mixture of tough funk rhythms, bahamian soul and flourishes of jazz and rock is an extremely well executed and produced body of work. not surprising considering the band were one of the bahamas foremost musical outfits. the brothers musical backgrounds could not have been any more fitting, they cut their teeth playing regularly alongside the likes of nat king cole and count basie at their fathers well known nightclub the cat and the fiddle, what we get on this lp however is not jazz, but lean, melodic soul music! original copies of this seminal lp can change hands for 100 s on the used/second hand market and is a solid constant at the tops of the wants lists of record aficionados. the lp has been illegally reissued numerous times without any care or attention being taken to retain or respect the quality of the amazing music contained within. not so on this occasion, this is a fully legit, sanctioned reissue done in conjunction and with the assistance of miami s tk disco empire. now is the perfect time to revisit the deep, soulful sounds of the munnings brothers endeavours, a truly sublime collection of songs, drenched in sunshine, masterfully produced and performed with pure vitality. a truly classic album. sounding as fresh as it did almost 40 years ago. jump in the water!

new sounds from an old friend... i d been running franklin de costa s records for years, but after i played for his party in berlin a few years back we kept in touch. he runs a club night called mother s finest which puts on artists like tessela, truss, untold, dj fett burger and more, as well as releasing singles under his own name on labels like killekill and curle, and, as mudkid, beautiful tracks on greta cottage workshop. the three trax built for this ep on not so much are, like anything fresh and futuristic, hard to pin down in words. sssooo is a kind of detuned chattering b-boy cut that slides sideways between dimensions while always driving forward. mldk is another one for any dancers with moves.

ixvlf is back at it again following the language of mini-album released earlier this year as part of our ongoing tape series. pushing it further from where we last left off, connor clasen’s vinyl debut reflects our ever growing desire to re-interpret club music in its most primitive and cartilaginous nature. while cleverly obscuring any reference to a specific period of time, involuntary movement shows a sense of the american-based producer stretching disorienting imagery over the existing landscape of proto-industrial — matching the visual interpretation of ailsa ogden undertaking the artwork by way of a new collaboration to be expanded over a handful of releases — where unpolished synthesizers and rhythm machines collide and bawl in a controlled crash. it is an exercise of existing in various states of detachment, a fixation on mechanical repetition and unpredictable behaviors through the haze of helium laughter. definitely one for the animals.

another pair of underground disco dance classics get treated to the mm reworking magic! both these edits are exclusive to this 12inch and have never before been released in any format!!

despite the renewed interest in music from kenyas past, finding these tracks and their rights holders hasnt become any easier. only a handful of music archives around the world harbour collections of kenyan music, and just a few private collectors in kenya and abroad have been sharing catalogue info online or privately. one of the problems with east african music of this era is that much of it was originally released only on 45 rpm, seven-inch vinyl singles, many of which were only ever produced in tiny runs of a few hundred. 45s with their thin, paper sleeves do not age as well as lps and are often far more susceptible to the elements

nice price deal !!! piemont starts the new year with another amazing release on their own label plumbum! >excuse me ep< is a great two tracker without any remixes as these tracks are special and strong enough to stand on their own. on the a side you find >excuse me< which gets you to a unknown place in a typical piemont style. a style, which can also be safely named experimental. playful drumming combined with trippy vocals refines the whole musical journey. on the b side >foot massage< gets your feet moving from the very beginning no matter whether you are on the streets of new york with headphones or in the club. definitely somewhere where hip hop feels at home. somehow the beat and the vocals remind of >music< by the mighty run dmc... you can only love the old school vocals and the spacy break – thank you, guys! another genious release!

jake one’s discography reads like a who’s who list of some of the greatest and most successful artists in the history of hip hop. that’s what makes him truly unique. blurring the lines between the underground and overground. providing sonic backdrops for such incredible emcees as de la soul, scarface, freeway, mf doom, evidence, casual, elzhi, brother ali, and rakim among others, but polishing that same formula and providing records for the likes of drake, rick ross, t.i., 50 cent, snoop dogg, j cole, wale, dom kennedy, and royce 5’9”, jake one is one of the exceptions that has worked equally with both of these sides of the industry. exceptionally. “prayer hands”, a collection of instrumentals created from gospel sources, includes some of those recordings amongst others that all remind you that jake one has pretty much become the go-to producer for any major artist that wants some real hip hop shit on their album. and understandably so.

deep88 is back! here is a 7 track lp, music without any pretence, no silly fx or crazy compression/production tricks to take away from the music. just that 1988/1993 vibe with a slight balearic twist but some how avoiding to sound like a poor copy or dated. this last statement couldnt be any truer on this release. the vibe is carried through the whole ep with each consequent track then offering something a little bit different, some showing his balearic side and other tracks having a more house feel.

waxtefacts swings by the block with a bunch of ep’s from the crew. first off - strip steve with the dog days ep. landing on the a-side - cause it’s cold outside cools up the vibe with it’s evolving racing mood which is set to shift temperatures across any room. whatever u.b. pushes you back where you came from and gets your inner you dancing with the other inner you. for machine gum funk, strip steve teams up the mysterious dj storch for a live jam that captures the moment. capo puts the crown of the ep with teleporting you to the land of dreams where we will leave you hanging until the next wxtfx release.

the label say sounding like a comedown-classic which is way too funky to be an ambient record and has the power to cut as deep as any decent delta blues album.. we like it here. tip!

limited edition vinyl features white scratch-off ink and a 25 cent piece cased in a plastic outer sleeve. each copy will be unique, as the quarter will move around the plastic sleeve in transit creating its own pattern. this is intentional, so any scratches that appear on the front cover when the vinyl arrives is a result of this. sirens is the highly anticipated second full-length lp from nicholas jaar, the chilean-born electronic music producer, mixing engineer and dj, which comes out on october 14, 2016 via other people/kobalt. a prolific artist with a wide palette of talents, jaar spent his teenage years in dance music circles in new york city, where he now resides. in 2011, he released his debut album, the critically-acclaimed space is only noise. in 2012, he was contributed to bbc radio 1’s prestigious ‘essential mix’ series, winning ‘essential mix of the year’. in 2013, matador released the debut album from darkside, jaar’s project with his friend dave harrington. the band toured the record with a giant, rotating circular mirror, with key performances at primavera sound and coachella. other notable projects by jaar include from scratch, a live concept first developed for moma ps1, pomegranates, an ambient record and alternate soundtrack to the armenian film the colour of pomegranates, and the original soundtrack for dheepan, a thriller by the french filmmaker jacque audiard about a family of sri lankan refugees living in the suburbs of paris. dheepan won the palme d’or at cannes in 2015. jaar is the founder of the new york based imprint other people, releasing music and spoken word by a diverse group of artists ranging from lydia lunch to ezekiel honig

-the existence- is likely the most functional track we have yet heard from andre crom s recent series of solo ep s. a tight drum groove, a rolling, modulating acid bassline, eerie synth pads and a spaced out vocal create a mixture that s sure to fill any

yet another collaboration between sandro brugnolini and stefano torossi, who also worked together on the masterpiece “feelings”. “musica per commenti sonori” consists of twelve amazing tracks that will excite lovers of the wildest funk, producers in search of rare breaks, and those with a penchant for the psycho-beat atmospheres of the sixties. one of the rarest library music releases ever, that’s never been re-released in any form until now!
the vinyl release includes the album on cd.

in terms of legendary house records, it doesnt get any better than lnrs cant stop the house.

reissue of this 20y old timeless classic with a new basic soul unit rmx on the b-side!almost two years ago we reissued dj boom kinda kickin with an extra efdemin remix on curle-p06. because y all loved it so much, we decided to reissue two more matthew herbert deep house goodies. after the very well received linkwood remix of see you on monday it now time for one of herbert s biggest records deeper, from the iconic part two ep, 20 years old but still timeless! on remix duties is basic soul unit, who saw his album released on dekmantel end of last year. we knew he was good, but his remix exceeded each and any of our expectations.

the 10th modal analysis release is the second full ep of the label’s co-founder, anfs. mass ep demonstrates anfs unique sound aesthetics, offering tracks to satisfy the most demanding music-heads. mass#1 is a sadistic composition of distorted percussions and basslines hitting hard in a slow rhythmic groove , while mass#2 stands closer to the dancefloor thinking norms, without though leaving behind any of the creepiness of mass#1. on the flip side, mass#3 brings back the mood of a horror movie soundtrack, with bleepy riffs on the leading sequence. finally, mass#4 is another rhythmic industrial composition, which connects mass ep with the traditional eastern influences that can be found on anfs debut release, ground ep

"zon - palace since more than ten years close friends and metal heads phillip tielsch (von spar) and mario katz (cologne tape) met for guitar sessions, trying to - nd the essence of their favourite metal records* and digest in their own sound“. quite ambitious but without any release plans so far... magazines jens-uwe beyer found out about their project and pushed them to produce an uncompromising condensate of their raw material. beyer cut here and there, contributed some additional production and also got john stanier (battles) in the boat for the drums. so zon became a band and -palace- became the most intense and sharp edged instrumental metal set you probably heard in years! crato s b-side counterpart, a 27min drone ambient interpretation of the zon material, completes this literally thrilling album and makes it – wrapped up by john harten s unique artwork series – another magazine release at its best. mastered by matt karmil. - 45 min playtime - endless loop on side a; b-side cut inside out"

what can be said about lnrs work it to the bone? another slamming piece of chicago house history brought to us by the dynamic duo of larry thompson and rick lenoir (lnr, larry n rick) of the cult house jam label. this is some straight 1987 heat, real house music for the heads, from the very beginning! work it to the bone does exactly that, works every single part of your body into a frenzy, a cacophony of jacking sparse drum programming with that infamous descending bassline and that dude chanting, asking us to join him c mon let s work! this record is a total classic. period. featured on this official 2016 reissue we have 4 mixes of this monolithic slab of machine funk that originally came out on various pressing between 1987-1989: the vocal mix, the instrumental, lnr clubhouse remix and the lnr underground mix.na sense, this is the complete collection of this cornerstone of chicago house. the full set. all audio has been lifted from rick lenoir s private collection of reel to reel tapes from his basement and remastered accordingly. this reissue has been realised with the full involvement of thompson & lenoir and is 100% legit! dont snooze, this one deserves a spot in any self respecting house heads record bag or dj set, classic material made available again for 2016, house is going on!

detroits brainstorm have achieved cult status as a group among underground disco, soul and boogie aficionados worldwide. hot for you lifted from their 3rd lp from 1979 has always been a huge record for the more discerning disco jocks, those who like to dig a little deeper to find the gems. a real dancefloor burner that found favour with everyone from larry levan to daniele baldelli after it s original release. the same can be said for journey to the light, another anthemic slice of midtempo michigan soul that was hugely popular in london on its infamous -rare groove- scene, pirate radio stations and beyond. lifted from the bands second lp and oozing class journey is a stellar cut, truly essential! both of these tracks on one 12- already make this an essential release for any real soul head, but the fact that the versions featured here are private re-edits from one of the true masters of the game s private vaults makes it utterly unmissable. yes, thats right - danny krivit, disco royalty, a true pioneer and re-edit trailblazer adding his unique touch to these incredible pieces of music make this a particularly hot biscuit. danny has kindly opened up his archive and in conjunction with tabu / demon music group brings us these amazing reworkings. both tracks have been lovingly edited and tweaked by mr.k himself with dj s and dancers in mind. 100% legit!

ali renaults vivod label continues to bring the goods, as recent missives from skatebard and monkeyshop (their first release of any sort for 11 years) emphatically prove. the imprints latest release comes from newcomer paul withey, who follows up a fine contribution to a recent split e.o on ruby hills & diamond mountain, with a debut solo e.p of his own. the five tracks featured are nicely varied stylistically, but all boast the distinctive shimmer of analogue synthesizers and dusty drum machines. highlights include the surging italo-disco revivalism of -pallas-, cheerily positive synth-pop flex of -yes master-, and the curious, radiophonic workshop style weirdness of -beneath the surface-.

continuing its remarkable run of releases, banana stand sound delivers another large dose of potassium with a highly anticipated heavyweight plate by bristol’s ollie 303. featuring two longtime dubs that have gotten plays from the likes of n-type, skream & benga, beezy and more, this is a must have for any serious head.

next on version is a remix set by the legend that is benny ill of horsepower productions. on the a-side you will find a stunning techno steppers rendition of orson’s -rise 6-. check the b-side for orson & hops -dread drumz- getting benny’s unique jungle treatment. both sides are tried and tested in the dance and have been rinsed on radio by respected djs such as kode9 and n-type. version 006 - the benny ill remixes - is a true soundsystem weapon and will be a killer in any serious selector’s war box.
mastered by beau thomas at ten eight seven, london. artwork & photography by orson sieverding.
supported by kode 9, paleman, n-type, pearson sound

(vinyl + hand numbered postcard artwork on raw 180 g paper) for its fifth release, viennese techno imprint bare hands is pushing its rugged, warm analogue sound towards new territories

eyetone returns with 005 which deviates away from the exploratory vibes probed in the previous release which was well received and instead shifts right back with intent for the dance floor. an ep which is very much a greek affair, featuring two deep, dubby cuts from la based greek producer maheras and a special extended techno piece by newcomer to the scene artemis soy. maheras sound spits a hybrid of sounds that range from dark techno, groovy disco and soulful house. expanding his personal style by working under new aliases with talented vocalists and collaborating in projects such as cazion and plastic love, maheras continues to explore the vast sphere of electronic music without any limits.

crossing returns with cracking and dreamy techno from pfirter, avion, doka and stefan rein. the label from avion strikes with its 7th installment releasing a package of 4 new techno slices from different producers showing what crossing stands for. the release starts with ‘sut‘ a track from the argentinian producer pfirter which creates an outer atmosphere with its pad, surrounding percussions and space running frequencies carried by this straight deep bass drum. a beauty. avion doesn’t take any captives and kicks the floor with a never ending trip of industrial percussions, noises, a heavy drum and a groove that will grab and never leave you. an explosive killer. for doka time is running in a different way. his ‘mural‘ comes with a melancholic bassline and rhythmic drum work to bring this imaginery painting from the wall into notes. surreal but true techno. stefan rein is closing the release with a bang. the ‘amorphous material‘ will never get tired and brings with metallic snares, hats and rides a kick’in weapon which includes a synth pad that will give you a smile in every moment you hear it. a clear definition of techno and its madness.

volkoder new track on vinyl, together with some nasty beats from our exclusive catalog. you can not find these gems on any other format - tip

special repress on transmat! out of nowhere...this greg gow final release drops! in electronic dance music there are a few artists with a special talent to produce tracks that in the right hands, will rock any dance floor in the globe. with his second release on derrick mays legendary transmat records, greg gow confirms he is one of them